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Joined 1 year ago
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Cake day: August 19th, 2023

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  • This is for the US, not sure about elsewhere, but…

    The easy and reliable way for most people is probably just bikesdirect.com
    I’ll fully admit that their website looks like you’re immediately gonna get scammed, but it’s legit and I’ve ordered from them. Don’t just trust me though, search around and find people who have posted and can verify that they’ve ordered and it’s legit.
    They’re importers who sell branded and off/non branded bikes direct from the manufacturers at a heavy discount. Shipping is free, but it takes a pretty long time since they’re shipping it from China

    The hard and less reliable way is to ask around. I got to be good friends with the owner of my local bike shop, and he’s the type of person who organizes races and does a lot of custom work, so he knows a couple people who run small bike factories/workshops in the US. They sometimes have bikes that have some marks on the down tube or a slightly messy weld etc. but otherwise perfectly great bikes that they can’t sell. So it’s definitely a long shot and more likely in cities with a big biking scene, but this is where you get the best deal. I got a frame for $300 and they would have sold it for over $1500 but didn’t because the holes for a water bottle cage were milled slightly off center.



  • I can only on road bikes as that’s what I ride. But it seems like the biggest factor that drives up prices is a combination of weight and aerodynamics.

    For just regular people, If you know where to look you can get a high end bike that was unfinished at the factory and didn’t get painted/stickered/branded and pay a fraction of the price. A lot of time the branding is what really drives up prices.

    But in the very high end it’s really all about weight and aero. Professional racers will pay a hefty premium to knock a few grams off of their bikes total weight, or to get parts that are more aerodynamic and thus give you better power transfer between your bike and the road.

    And then the lighter you want to get, you start getting diminished returns, and exponentially higher prices. Like if you compare a 3 pound saddle to a 1 pound saddle it might be a little bit more expensive. But then if you have a 150 gram saddle and want to get a 100 gram saddle that might be 20x the price.

    Lighter parts also have to sustain the same amount of forces (and sometimes much much more) as their heavy duty steel counterparts so finding things that can undergo this amount of stress and not break plays into it as well.

    And this doesn’t even go into materials. The big new thing is titanium bikes which are ridiculously expensive but will last several lifetimes if taken care of. And then carbon fiber is difficult to make and even more difficult to make well. Much lighter and than other materials but really only flexes in one direction and can be really fragile if under the wrong type of stress.





  • Exactly. We have all the tools we need to solve society’s problems, we’ve had them for thousands of years. The issue is that it would make it harder for people in power to continue to accumulate power and money, so it won’t happen.

    Crypto cannot solve this, it’s actually making the problem worse since it allows very wealthy people to launder dirty money for (almost) free.

    Crypto also has an absolutely horrendous reputation with the general population who only hear about the scams, so using it in/with your products severely restricts who will buy your products.


  • I think you’re focusing too much on the ROI and and not the distinction between projected ROI and a guaranteed one. They can expect to make a return, but the cannot do so with any degree of certainty. Whereas with a sponsored segment, that is guaranteed money before the movie even opens.

    And you’re correct, good movies have been made under capitalism. Good movies are also made with sponsored segments. I’m arguing that they’re good despite the pressures of capitalism, not because of it.

    I mean look at Elemental, huge, expensive production, one of the biggest animation houses in America with a history of incredible and influential work, huge media and ad campaigns and yet… it was a flop (at least domestically). I’m sure they expected to make a lot more money than they did.

    The true evil is often banal.





  • I think the issue you have is with capitalism. Artists don’t know with any level of certainty if their movie, music video etc will have any substantial return on their investment. So if you’re a studio sinking millions of dollars into something, you want to know that you’re gonna make at least some of that back, and negotiating ahead of time for a sponsored segment can help guarantee at least a small return. This is made much worse by the downturn of the movie industry in America with record low movie tickets being sold. It’s just becoming less and less feasible to make money from movies (and music/music videos for that matter but they’re a much different type of media) these days.

    If people were able to make art for arts sake, not have to worry about people paying for it, being able to pay rent etc. then I think this would disappear almost entirely.